I'm delighted to be
here today, at the kind invitation of my friend Matt Spalding, and
to have the honor of taking part in this very distinguished series
of lectures on the sources of American national identity and about
how we might go about renewing or restoring them. It's a subject of
the first importance, and I'm glad that Heritage is devoting
attention to it. Man does not live by tax cuts and fiscal
discipline alone- although a little more of each would be perfectly
fine with me. Still, it is impossible to rally a nation to fight
for its soul if it no longer knows what that soul is.
As before in our
history, our current challenges have forced us to think more deeply
and clearly about such things-about who and what we are. And it is
not entirely a bad thing that we find ourselves at this juncture.
Periods of decline and crisis are inevitable even in the healthiest
society, precisely because what is good in the past can never be
passed along mechanically and effortlessly from one generation
to the next. Each generation has to rediscover those things for
itself and relive the truth of Goethe's dictum: "What you have as
heritage, take now as task, for only in that way can you make it
your own."
This is a more majestic
and momentous thing than is covered by the word "reappropriation."
And it is not at all the same thing as saying that each generation
gets to invent its own Constitution and its own history. In
fact, it is the exact opposite. But more about that
later.
My point here is that,
human nature being what it is-and human society being, in some
sense, the amplification of human nature-it usually takes a crisis
to cause an individual, or a nation, to renew itself. These things
aren't covered under any program of regular maintenance. They
are not the product of jet-smooth steady-state development,
overseen by planners and bureaucrats. Renewal of a culture is a
more jagged and lurching thing. Sometimes it takes a fight for
survival to induce it.
Arnold Toynbee, a great
historian of the last century whom no one except Samuel
Huntington bothers to read anymore, was right in seeing the dynamic
of challenge-and-response as the chief source of a civilization's
greatness. And he was also right to assert that great civilizations
die from suicide rather than murder, which is to say that they
die when they lack the will to respond vigorously and creatively to
the very challenges that would otherwise make them stronger. So
what we're doing here today could hardly be more
important.
Defining National
Identity
I think it's clear that
the American national identity, like love, is a
many-splendored thing. Defining it is also a bit like
love, or war-meaning that it ends up being a much more complicated,
even contentious, undertaking than you ever thought it would be at
the outset.
And doubly so for the
task of restoration, the real subject of these lectures. The
very question of restoration presumes some measure of
agreement, not only about what we are, but what we once were and
what we ought to become. But it is in the very nature of our
current woes that we don't have any such agreement, even among
people who call themselves conservatives.
One of the chief points
at issue arises out of the tension between creed and
culture, to use a shorthand way of putting it, in the ways
we think about America and about standards of membership in
American society. This is a tension between, on one hand, the idea
of the United States as a nation built upon the foundation of
self-evident, rational, and universally applicable propositions
about human nature and human society and, on the other hand, the
idea of the United States as a very unusual, historically
specific and contingent entity, underwritten by a long,
intricately evolved, and very particular legacy of English law,
language, and customs, Greco-Roman cultural antecedents, and
Judeo-Christian sacred texts and theological and moral teachings,
without whose presences the nation's flourishing would not be
possible.
This is a very profound
tension, with much to be said for both sides. And the side one
comes down on-if one comes down entirely on one side-will say a lot
about one's stance on an immense number of issues, such as
immigration, education, citizenship, cultural assimilation,
multiculturalism, pluralism, the role of religion in public
life, the prospects for democratizing of the Middle East, and so
on.
At the risk of being
labeled a straddler, I would contend that any understanding of
American identity that excluded either of the two elements
would be seriously deficient. Any view of American life that failed
to acknowledge its powerful strains of universalism, idealism, and
crusading zeal would be describing a different country from the
America that, for better or worse, happens to exist. And yet, any
view of America as simply a bundle of abstract normative ideas
about freedom and democracy and self-government that can flourish
just as easily in any cultural and historical soil, including a
multilingual, post-religious, or post-national one, takes too
much for granted and will be in for a rude awakening.
Clearly, then, the
creed v. culture antagonism is better understood not as a statement
of alternatives but as an antinomy, one of those perpetual
oppositions that can never be resolved. In fact, this may be
more of a problem in theory than in practice, since the two halves
of the opposition so often serve to support one another. The creed
needs the support of the culture-and the culture, in turn, is
imbued with respect for the creed.
For the creed to be
successful, it must be able to silently presume the presence of all
kinds of cultural inducements-toward civility, restraint,
deferred gratification, nonviolence, loyalty, procedural
fairness, impersonal neutrality, compassion, respect for
elders, and the like. These traits are not magically called
into being by the mere invocation of the Declaration of
Independence. Nor are they sustainable for long without the
support of strong and deeply rooted social and cultural
institutions that are devoted to the formation of character, most
notably the traditional family and traditional religious
institutions.
But by the same token,
the American culture is unimaginable apart from the influence of
the American creed, from the sense of pride and moral
responsibility Americans derive from being, as Walter Berns has
argued, a carrier of universal values, a vanguard people. It
is no fluke that one sees such a strong sense of that status even
in the attitudes of young people from the remotest parts of
small-town America. I see it in some of the young men from my own
tiny town of Signal Mountain, Tennessee, who are serving in the
Marines and National Guard in Iraq. They may be boys from the
provinces, but they are in no sense provincial in their outlook.
They do not see their overseas mission as something out of
phase with their local affinities and duties. They are not unusual
in that.
Looking Back to First
Principles
So I don't think that
forcing a choice between creed and culture is the way to resolve
the problem of cultural restoration. But clearly, if we want to
locate something like the original meaning of America and reorient
ourselves toward it, we need to develop the ability to look
backward in a more fruitful way.
It is a natural enough
impulse to do so in times of turbulence and uncertainty-to try to
think oneself back to the beginnings of things, ask how on earth
did we ever get into this situation in the first place, and why. It
is especially natural, even obligatory, for a republican form of
government to do so, since republics come into being at particular
moments in secular time through self-conscious acts of public
deliberation. Indeed, philosophers from Aristotle to Hannah Arendt
have all insisted that republics must periodically recur to
their first principles in order to adjust and renew themselves
through a fresh encounter with their initiating vision.
A constitutional
republic like ours is uniquely grounded in its foundational moment,
its time of creation. A founding is no ordinary occasion. It is not
merely the instant that the ball started rolling. Instead, it is a
moment that presumes a certain authority over all the moments that
will follow- and to speak of a founding is to presume that such
moments in time are possible. It most closely resembles the moment
that one takes an oath, or makes a promise.
One could even say that
a constitutional founding is a kind of covenant, a
meta-promise entered into with the understanding that it has a
uniquely powerful claim upon the future. It requires of us a
willingness to be constantly looking back to our initiating
promises and goals, in much the same way that we would chart
progress or regress in our individual lives by reference to a
master list of resolutions or fend off temptation by
remembering our marriage vows-rather than rewriting the vows when
someone really irresistible waltzes into the room. (Which is a good
example of what it means to have a "living
constitution.")
Republicanism means
self-government, and so republican liberty does not mean living
without restraint, but rather living in accordance with a law that
you have dictated to yourself. Hence the especially strong
need of republics to recur to their founding principles and their
founding narratives in a never-ending process of self-adjustment.
There should be a constant interplay between founding ideals and
current realities, a tennis match bouncing back and forth
between the two. And for that to happen, there need to be two
things in place.
First, there need to be
founding principles that are sufficiently fixed to give us genuine
guidance, to actually teach us something. That such ideals
should be open to amendment is, perhaps, the least important or
valuable thing about them-which is precisely why a living
Constitution is not really a Constitution at all. This is why I
compare a founding to a promise or a vow, which means nothing
if its chief glory is its adaptability. The analogy of a successful
marriage, which is also, in a sense, a res publica that must
periodically recur to first principles and learn to
distinguish first principles from passing circumstances, is
actually a fairly good guide to these things.
Second,
there needs to be
a ready sense of connection to the past, a reflex for looking
backward. And that is no easy matter. Cultivating it ought to be
one of the chief uses of the formal study of history. Or so
one would think. But the fostering of a vital sense of connection
to the past is, alas, not one of the goals of historical study as
it's now taught and practiced in this country. Nietzsche saw a
certain kind of abuse of history along these lines coming long
before it was even a germ of a possibility on these shores. But it
has reached a kind of full flower in the present day. This has been
particularly true of the study of the American founding, as it has
been for a century now, since the early sallies against the
Founders by Charles Beard; but it is more generally true of the
entire profession of history.
This is a highly ironic
development. The meticulous contextualization of past events
and ideas, arising out of a sophisticated understanding of the
past's particularities and discontinuities with the present, is one
of the great achievements of modern historiography. But that
achievement comes at a very high cost when it emphasizes the
pastness of the past so much as to make the past completely
unavailable to us, separated from us by an impassable chasm of
contextual difference.
My grandmother lived in
Charleston, Illinois, site of one of the Lincoln-Douglas debates,
and I remember as a young boy fantasizing about the crowds at that
great event as I tromped around the site, feeling myself to be in a
kind of direct contact with it. I was too ignorant then to realize
how remote the actual world of that mid-19th century audience was
from that of my imagination. Now I know better. But does that
knowledge detract from, or add to, my sense of connection to the
place, and to the words spoken there? And does such a sense of
connection matter? These are genuine questions-ones that ought
to be seriously entertained.
In the case of the
Founding, where there has been a century-long assault taking place,
the sense of connection is even more tenuous. The standard
scholarly account takes the form of insisting that there was
nothing emerging out of this heated series of 18th century debates
among flawed, unheroic, and self-interested white men to which
we should grant any abiding authority. That was then, you see, and
this is now.
In a curious way, such
insistence upon the pastness of the past serves only to
imprison us ever more thoroughly in the present, and the present
alone. It makes our present all that much more antiseptically cut
off from anything that might really nourish, surprise, or
challenge it. It erodes our sense of being part of a common
enterprise with those men. One would have thought that the study of
the past would do just the opposite.
The Debunking
Imperative
It is not hard to see
how such an emphasis upon scholarly precision would dovetail
effortlessly with what might be called the debunking imperative,
which generally aims to discredit any use of the past to justify or
support something in the present and is therefore one of the few
gestures likely to win universal approbation among historians. It
is professionally safest to be a critic and extremely dangerous to
be too affirmative.
I once was interviewed
for a job as the director of a lavishly funded Center for the Study
of the American Experience at Washington College on the
Eastern Shore of Maryland. The college had wangled a huge
grant from an ingenuous foundation on the basis that the college
had a unique claim as a site for such a center, since George
Washington had been a member of the board of trustees and the
college was the first to bear Washington's name by his express
permission.
I thought this all
sounded very promising, and the college's successful grant proposal
was downright exciting. But from the moment I arrived on
campus and was interviewed by the dean, I heard the same dismal and
anxious refrain: "We want to make it clear that the work of this
center is not to be celebratory." They had no idea what else they
wanted their center to be…but they wanted to make
damned sure it was not celebratory.
That, ladies and
gentlemen, is the state of the American academy. Scholarly
responsibility demands the deconstruction of the American Founding
into its constituent elements, thereby divesting it of any claim to
unity or any heroic or mythic dimensions deserving of our
admiration or reverence. There was no coherence to what they did,
and looking backward to divine what they did makes no sense.
The Founders and Framers, after all, disagreed, fought among
themselves, produced a document which was a compromise, a document
that waffled on important issues, that remains hopelessly bound to
the 18th century and inadequate to our contemporary problems,
etc. They did not, in short, bring down tablets from Mount Sinai.
(And, of course, Moses himself is not all he's cracked up to be,
but that is another story for another time.)
And so, in much the
same manner as "source criticism" of the Bible challenges the
authority of Scripture by understanding the text as a
compilation of haphazardly generated redactions, so the
Constitution is seen as a concatenation of disparate elements, a
mere political deal meant to be superseded by other political
deals and withal an instrument of the powerful. The last thing
in the world you would want to do is treat it as a document with
any intrinsic moral authority. Every text is merely a pretext. This
is the kind of explanation one has learned to expect from the
historical guild.
In this connection, it
is amusing to see the extent to which historians, who are pleased
to regard the Constitution as a hopelessly outdated relic of a
bygone era, are themselves still crude 19th century positivists at
heart. They still pride themselves on their ability to puncture
"myths," relying on a shallow positivistic understanding of a
"myth" as a more or less organized form of falsehood rather than
seeing myth as a structure of meaning, a manner of giving a
manageable shape to the cosmos and to one's own experience of the
world, a shape that expresses cultural ideals and shared sentiments
and that guides us through the darkness of life's many perils and
unanswerable questions by providing us with what Plato called a
"likely story."
Even granting its many
successes, modern historiography has left us without a way of
rendering a compelling story of the nation. "That's not our job,"
historians say in response. But it is not as if the nation has
disappeared from historical writing. Instead, it has become, in the
late historian John Higham's wonderfully apt phrase, "the villain
in other people's stories"-the indispensable negative precondition
for the only heroic tales that are still legitimate to tell: those
of marginalized individuals and certifiably oppressed
groups.
There is, of course, a
good deal of fresh mythmaking and romanticization in the tales
of those marginalized groups. But the point is not to be
consistent about rooting out all myths. It is to
demythologize the American nation and the national past and
bring its major players down to our own size and level, to free us
from the moral burden of having ever to regard them as heroes or
exemplars who have set a mark we have to live up to.
To be sure, there are
good things to be said of a critical approach to history, and there
are myths aplenty that richly deserve to be punctured. I am glad,
for example, that we know beyond a shadow of a doubt that
Washington, D.C., in the Kennedy years had very little in common
with the legendary Camelot aside from the ubiquity of adulterous
liaisons in both places. That kind of ground-clearing is
important, and we are better off without that kind of
propagandistic myth.
But ground-clearing by
itself is not enough. And to think otherwise is to mistake an
ancillary activity for the main thing itself-as if agriculture were
nothing more than the application of insecticides and weed
killers. History as debunking is ultimately an empty and fruitless
undertaking, which fails to address the reasons why we humans try
to narrate and understand our pasts. It fails to take into account
the ways in which a nation's morale, cohesion, and strength
derive from a sense of connection to its past. And it fails to
acknowledge how much a healthy sense of the future depends upon
what can only be called a "mythic" sense of the nation.
In that sense, I would
not ridicule the impulse, the felt needs, behind the embrace of the
Camelot myth or, for that matter, behind the myths of the various
marginalized groups. The human need to encompass life within the
framework of myth is not merely a longing for pleasing illusion,
though it may well lead one to the embrace of an illusion. It
reflects a fundamental need for a larger shape to our aspirations.
And it is an illusion to think that we can so ignore that need, and
so cauterize our souls, that we will never again be troubled by
it.
The debunking
imperative operates on the basis of its own myth. It presumes the
existence of a solid and orderly substratum, a rock-solid reality
lying just beneath the illusory surfaces, waiting to be revealed in
all its direct and unfeigned honesty when the facades and artifices
are all stripped away. There is a remarkable complacency and
naïveté about such a view. The near-universal
presumption that the demise of the nation-state and the rise of
international governance would be very good things has
everything-except a shred of evidence-to support
it.
And as for the
debunking of bourgeois morality that still passes for
sophistication in some quarters, and has been the stock-in-trade of
Western intellectuals for almost two centuries now-it has
always been a form of moral free-riding, like the radical
posturing of adolescents who always know they can call Mom
when they get into trouble. But nothing lasts forever, and what
happens when the solid substratum is gone, when Mom is no
longer there to answer the phone? Anyone reading the accounts of
Theodore Dalrymple's experiences with the underclass of Great
Britain will be disabused of the idea that human nature, once the
bourgeois artifices are stripped away, will be in anything but a
free fall toward the worst kind of physical and moral
squalor.
These considerations
may seem to be taking us far afield, but I don't think they do.
They underscore the fact that the critical tradition of modern
historical writing itself deserves to be criticized in turn
as a naïve undertaking that fails to deliver the goods, fails
to give us what we seek and need from the past. Impressive in so
many ways, it is also a dead end in others. We need to begin
looking elsewhere for guidance.
"Mystic Chords of
Memory"
One place to begin, I
believe, is in thinking again about the need to look backward with
a sober realization that human knowledge about human affairs
always has a reflexive quality about it. It is never a matter of
the tree falling unheard in the forest. There is always someone
listening, always a feedback effect. And most prophecies tend
to be either self-fulfilled or self-averted.
The best social
scientists understand this perfectly well-after all, they were
the ones who gave us the term "self-fulfilling prophecy"-but they
give us such knowledge in a vocabulary and form that are often all
but self-subverting. Who, after all, wants to embrace a myth while
calling it a myth? But to do so may be preferable to the
alternative of 19th century positivism.
In this connection, and
with a particular view toward more constructive ways of thinking
about the role of looking back, I think there may be
particular value in our revisiting Ernest Renan's
celebrated 1882 essay "What Is a Nation?" ("Qu'est-ce qu'une
nation?"), which defined a nation as an entity sustained by
its historical consciousness.
It is important to
remember how different such a conception was from the alternatives
on offer in late 19th century Europe. For Renan, a nation was
fundamentally "a soul, a spiritual principle," constituted not
only by "present-day consent" but also by the residuum of the past,
"the possession in common of a rich legacy of memories" which form
in the citizen "the will to perpetuate the value of the heritage
that one has received in an undivided form." Permit me to quote
from Renan at greater length:
The nation, like the
individual, is the culmination of a long past of endeavours,
sacrifice, and devotion. Of all cults, that of the ancestors is the
most legitimate, for the ancestors have made us what we are. A
heroic past, great men, glory (by which I understand genuine
glory), this is the social capital upon which one bases a national
idea. To have common glories in the past and to have a common will
in the present, to have performed great deeds together, to wish to
perform still more-these are the essential conditions for being a
people…. A nation is therefore a large-scale solidarity,
constituted by the feeling of the sacrifices that one has made in
the past and of those that one is prepared to make in the
future.
Renan strongly opposed
the then-fashionable view that nations should be understood as
entities united by racial or linguistic or geographical or
religious or material factors. None of those factors was
sufficient to account for the emergence of this "spiritual
principle." Active consent had to be a part of it. But it was
insufficient without the presence of the past-the past in which
that consent was embedded and through which it found
meaning.
I think this account of
the nation provides valuable insight for us. The ballast of
the past, and of our intimate connection to it, is similarly
indispensable to the sense of American national identity. It
forms a strain in our identity that is in some respects far less
articulate (and less frequently articulated) than the
universalistic principles that writers like Walter Berns have
emphasized, precisely because it seems to conflict with American
assertions of universalism and its intellectual basis is less
well-defined. But it is every bit as powerful, if not more so, and
just as indispensable. And it is a very particular force.
Our nation's particular triumphs, sacrifices, and sufferings-and
our memories of those things-draw and hold us together precisely
because they are the sacrifices and sufferings, not of all
humanity, but of us in particular.
Fortunately, one does
not have to rely exclusively on a French writer for such insights.
No one has spoken of American national identity with greater
mastery than Abraham Lincoln, and his words still endure. In his
1838 speech on "The Perpetuation of Our Political Institutions,"
delivered to the Young Men's Lyceum of Springfield, Illinois,
Lincoln responded to the then-raging violence directed at blacks
and abolitionists in Southern and border states with an admonition
that could have come from Toynbee: "If destruction be our lot, we
must ourselves be its author and finisher. As a nation of freemen,
we must live through all time, or die by suicide."
The danger he most
feared was that rampant lawlessness would dissolve the "attachment
of the People" to their government. And the answer he provides to
this danger is remarkable for the way it touches on the same themes
that Renan recounts:
Let every American,
every lover of liberty, every well wisher to his posterity, swear
by the blood of the Revolution, never to violate in the least
particular, the laws of the country; and never to tolerate their
violation by others. As the patriots of seventy-six did to the
support of the Declaration of Independence, so to the support of
the Constitution and Laws, let every American pledge his life, his
property, and his sacred honor;-let every man remember that to
violate the law, is to trample on the blood of his father, and
to tear the character of his own, and his children's liberty. Let
reverence for the laws, be breathed by every American mother, to
the lisping babe, that prattles on her lap-let it be taught in
schools, in seminaries, and in colleges;-let it be written in
Primmers, spelling books, and in Almanacs;-let it be preached from
the pulpit, proclaimed in legislative halls, and enforced in courts
of justice. And, in short, let it become the political religion
of the nation; and let the old and the young, the rich and the
poor, the grave and the gay, of all sexes and tongues, and colors
and conditions, sacrifice unceasingly upon its altars.
The excerpt shows
Lincoln's remarkable ability to intertwine the past and the present
and evoke a sense of connection between them. The speech performs
the classic republican move, back to the founding origins,
connecting the public order explicitly with something so primal as
a son's love of, and respect for, his father. Obedience to the law
and reverence for the Constitution-these are directly connected
with memory, the reverence owed to the sufferings of the patriot
generation, and the blood of one's own father.
Such words gesture
toward his even more famous invocation of "the mystic chords of
memory" in his First Inaugural Address, chords
"stretching from every battlefield and patriot grave to every
living heart and hearthstone all over this broad land," chords that
provide the music of the Union. He performs a similar move of
memorial linkage in the Gettysburg Address, beginning with the
Founding "fathers" and ending in a rededication and recommitment,
drawn from knowledge of the "honored dead" who hallowed the very
ground with their sacrifice.
It is pointless to ask
whether such a vision of the Union reflects an "objective" reality.
The mythic reality upon which such rhetoric depends, and which it
helps to create and sustain, is powerful in its own right, too
compelling to be dismissed or deconstructed into the language of
"state formation" or "cultural hegemony." You could say that
the antiseptic scholarly language offers insights that Lincoln
cannot give us, and you would be right. But you could also say that
Lincoln's reverent and hortatory language offers insights that the
antiseptic scholars cannot provide, and you would be equally
right. The real question is which language tells us more, and for
what purposes.
The Constitution as
America's Epic
The mythic pull of the
American Founding relates directly, as I've tried to stress, to the
republican character of American society and to the republican
requirement to recur to origins as a way of correcting and renewing
ourselves. It is entirely appropriate, therefore, that the
Constitution be a document that is not only respected and deferred
to, but venerated and accorded a kind of mythic status. This is the
sense in which Lincoln's term "political religion" ought to be
taken as something inculcated, not only on the level of reason and
calculation, but on the deepest levels of habit and
sentiment.
Every successful
foundation requires a foundational narrative. Hence, it is no
surprise that there were numerous efforts in early American history
to produce something like a foundational epic, something that
would perform for America the role that the Aeneid performed
for Rome or that the Hebrew Scriptures did for the people of
ancient Israel. That is one way to think about the formation and
sustenance of national identity, though a shared story that
serves as a cultural mirror, in which a people is able to see what
it is and is reminded of what it was and should be.
And so, when Philip
Freneau and Hugh Henry Brackenridge presented in 1771 a
commencement poem at the College of New Jersey called "On the
Rising Glory of America," a poem that predicted an American culture
that would eclipse the glories of European civilization, they were
responding to a strongly felt need. Similarly, Timothy Dwight's
epic, The Conquest of Canaan, which appeared in 1785 with a
fulsome dedication to George Washington, was a thinly veiled effort
to relate the Biblical story of Joshua and the Promised Land as an
analogue to the American story-America as the New Israel. Then, in
1787, Joel Barlow offered up what was probably the most ambitious
of these American epic efforts, entitled The Vision of
Columbus.
Why, you are wondering,
have you never heard of these poems? The answer is that they were
among the worst poems ever written. At their best, they sound like
John Milton as reinterpreted by Monty Python. Let me provide one
example, from Barlow's Vision of Columbus. What follows is
his description of the convening of the First Continental
Congress in 1774:
Columbus look'd; and
still around them spread,
From south to north,
the immeasurable shade;
At last, the central
shadows burst away,
And rising regions open'd on the day. He saw, once more, bright
Del'ware's silver stream,
And Penn's throng'd
city cast a cheerful gleam:
The dome of state, that met his eager
eye,
Now heaved its arches in a loftier sky;
The bursting gates unfold; and lo, within,
A solemn train, in conscious glory, shine.
The well-known forms his eye had traced before,
In different realms
along the extended shore;
Here, graced with
nobler fame, and robed in state,
They
look'd and moved magnificently great.
It's all very amusing,
and believe me, the other efforts are no better. Reading this stuff
is a form of torture. And yet there is also a serious question
here. If there was such a strongly felt need for a foundational
epic, why couldn't one have been supplied? Is the failure of these
early American epics due to sheer lack of literary talent? Or is
there some intrinsic obstacle to the creation of an American
Aeneid?
I would venture to say
the latter and that the chief reason why it is so hard is the fact
that epic cannot be a republican literary form, for much the same
reasons that, it is argued, tragedy cannot be a Christian literary
form-because the premises of the literary form are incompatible
with the object to be venerated. Barlow's poem tried to put new
wine in old bottles, relying on forms and diction and social
conventions and subject matter that are simply not available to the
bard of a great modern democracy.
Yet the impulse behind
these failed efforts, like the impulse to address George Washington
as "Your Excellency," was not entirely off the mark even if the
results were less than stellar. The instinct for reverence was not
wrong even if the objects of that reverence were not necessarily
the right ones.
So there is no great
American epic. Or maybe there is one. Perhaps it is not too
fanciful to propose that the Constitution itself is our epic,
or what passes for one, in function if not in form. It too
functions as a text standing at the very core of our national
identity. It too serves as a cultural mirror, in which a people is
able to see what it is and is reminded of what it was and should
be. It too is a vessel of American myth and memory. It is an
amalgam of both creed and culture, particularly if read, as
Lincoln insisted it should be, in conjunction with the Declaration
of Independence. Although it does not narrate a shared story, it
certainly presumes one: the long and complex Anglo-American
experience that produced our understanding of constitutionalism,
federalism, individual rights, religious liberty, and separation of
powers.
The fact that it does
not seek to personify the American experiment, does not make
Washington the new Aeneas, or indeed name any names at all, may be
precisely why it is peculiarly suited to be the object of
republican veneration. People will always disagree, and properly
so, about the veneration of any particular leader, perhaps
even George Washington himself.
But the Constitution
itself ought to be another matter. The first three words of its
preamble remind us of the republican character of the American
experiment and the seat of sovereignty in our system. That is
a reminder we stand in need of nearly every day, both as an
encouragement and a challenge.
Wilfred M. McClay,
Ph.D., holds the SunTrust Bank Chair of Excellence in Humanities
and is a Professor of History at the University of Tennessee
at Chattanooga.